Antelope House Ruin
Antelope House Ruin
Antelope House Ruin

Ansel Adams

Antelope House Ruin

Canyon de Chelly, Arizona, 1942

Original Gelatin Silver Photograph

Image dimensions: 15.25 x 19.5
Mounted dimensions: 23 x 29

Pristine condition

certified authentic
Antelope House Ruin
Antelope House Ruin
Antelope House Ruin



Original Gelatin Silver photograph by Ansel Adams, "Antelope House Ruin, Canyon de Chelly, Arizona." Individually handmade by Ansel Adams in 1974. Mounted on 23"x29" board, edition 'VI-2 8/110' in lower left corner and signed in pencil on mount with portfolio VI stamp on verso. Pristine condition.


The HD Video of the actual work in question has been provided as a visual condition report. If you would like a written condition report in addition to the HD video, please


ansel adams in the dakroom by Alan Ross

No contemporary photographer equaled the lifetime contributions of Ansel Adams in bringing public recognition of the art of photography, or taught so widely the techniques of black and white photography. His strength as an artist is largely attributed to his tireless investigation of the methods of photography, developing a careful darkroom technique of exposure and development which he called the Zone System.

Striking photographs of Yosemite and the surrounding Sierra Nevada capturing the elusive visual myth and mood of these wild places became the wellspring of Ansel Adam’s consciousness and brought him widespread popular acclaim. His intimate understanding as well as passion for conservation of this pristine wilderness gave Ansel Adams the energy and tenacity needed to bring subjects to life for a wider public.


The most popular black and white process of the 20th century was gelatin silver, in which the image consists of silver metal particles suspended in a gelatin layer. Gelatin silver papers are commercially manufactured by applying an emulsion of light-sensitive silver salts in gelatin to a sheet of paper coated with a layer of baryta, a white pigment mixed with gelatin. The sensitized paper, generally fiber-based, is exposed to light through a negative and then made visible in a chemical reducing solution. William Henry Fox Talbot introduced the basic chemical process in 1839, but the more complex gelatin silver process did not become the most common method of black-and-white darkroom photography until the late 1910s. Because the silver image is suspended in a gelatin emulsion that rests on a pigment-coated paper, gelatin silver can be sharply defined and highly detailed in comparison to platinum or palladium, in which the image is absorbed directly into the fibers of the paper.


Cross section of Gelatin Silver paper